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Heiner Goebbels and Curatorial Composing after Cage

Heiner Goebbels and Curatorial Composing after Cage
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Heiner Goebbels and Curatorial Composing after Cage

This Element introduces the notion of curatorial composing to account for certain musical practices that emerged as the founding concepts of music as an art – instituted in the modern era – were systematically dismantled. It argues that these practices shift the paradigm to a curatorial concern for composing public encounters and staging events.
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