The advent of new screening practices and viewing habits in the twenty-first century has spurred debate over what it means to be a "cinephile." Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
Toode on otsas
Detailid
Lehekülgede arv320 lehekülge
VormKõvakaaneline
Lugemise aeg10:40 tundi
Arvutus põhineb keskmisel lugemiskiirusel, kus 200-250 sõna lugemiseks kulub 2 minutit.